![]() Or, if you’re handy enough, break out your tools and build a few inexpensive rigs that you can power will household equipment to get truly epic interior fog. ![]() If you can’t get your hands on the DF-50, and you need more out of your inexpensive party machine, there are a few tricks you can pull to improve the quality and dispersion of your fog. ![]() While it’s not the cheapest rental, it’s consistent, and you’ll find it on most professional sets. This formula helps the haze hang in the air for longer, so you’re not constantly re-hazing the scene. You’ll find it at every rental house, and it’s a breeze to use. The DF-50 Hazer is the industry standard. So, let’s take look at several ways to create this atmosphere. And creating the look of blinds on the wall is just the tip of the iceberg. Basically, the same practice applies to filmmaking when we introduce atmospheric texture. Spray some hairspray, then shine the laser again - you’ll see the full beam cutting through the air. When you shine a laser pointer from one end of the classroom to the next, without any texture in the air, all you see is the dot on the wall. In fact, I remember learning this exact lesson in science class. Typically, this atmosphere is a haze or a fog, which allows you to see the light’s path of your frame. If you do a quick search on cinematography blogs, you’ll find that one of the most common questions is How do I create the texture of blinds on a wall? There are two parts to the equation: a hard light source and atmosphere. Take a look at how you can use haze or fog to increase the production value of your next shot by adding texture and ambience.
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